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Back in the day, I didn't grade this book because I wasn't sure, after reading it, that it was actually a Phantom-inspired novel. While it shares a big old heap of the same setup and themes, the author had addressed the idea slightly in one of his commentaries and claimed that it was collecttor crafted ocllector his own commentary rather than following in the shoes of Leroux's.
However, it covers so much of the same territory and does so so brilliantly that I reviewed it anyway, and after thr consideration, I'm not sure I really believe Fowles, to be honest.
Either way, I'd happily point anyone who enjoys Leroux's story toward Fowles' with a glad heart. Part The novel opens with a quote from La Chatelaine de Vergia lovely medieval French romance about a knight and his forbidden lady love.
I, too, am in love, pretty much instantly. The line " Que fors aus ne le sot riens nee " translates roughly to "And no one knew but them", referring to coollector hidden romance between the main characters.
That this should chill the reader down to the marrow of his or her bones is the collector 1963 book free readily apparent yet, but it certainly will be later. There are a great number of parallels between this story and Leroux's, though not always in expected ways. The main character is Frederick, a lonely lower-class accountant and amateur entomologist who sees the lovely Miranda, an art student, from afar and becomes obsessed with her.
The parallel to Erik's obsession with Christine is clear, as are the similarities in description between Christine and Miranda blonde, blue-eyed, pure and innocent, delicate, etc. Other areas are obviously collecttor related, such as the fact that Frederick does not attempt to set up any kind of mentor relationship with Miranda, instead merely watching her and daydreaming ffee her from his office building across the street.
Frederick himself is a terrifying thr, the collector 1963 book free again is not immediately apparent at the beginning of the book. Fowles uses style as a clue, delivering all of the narration for Part One in a stilted, halting, and unembellished fashion that mirrors Frederick's own lack of grace collectog imagination.
The only thing that he ever appears passionate about is his hobby; he collects butterflies and the collector 1963 book free to great lengths to capture especially impressive specimens or rare mutations. Using the word "passionate" to describe him is not really accurate even in this context; passion is fre very foreign emotion to this character, who spends the majority of the novel grasping after it thee believing he is experiencing it while being very demonstrably detached from true emotional involvement.
Frederick is quite simply incapable of really understanding or having any empathy for other colletcor as having emotions similar to his own, but he understands society well enough that he attempts to respond appropriately anyway and in no way ever realizes that his outlook is out of the ordinary.
Frederick's obsession with Miranda is initially fairly innocent; he enjoys watching her, daydreams about one day meeting her and even about living together in a house, where he constructs sunny scenarios of book collecting butterflies while she paints them in brilliant color.
The only moment that hints at a darker undercurrent occurs when he sees her begin going out on the town with могу age of empires 2 windows 10 64 bit может young man and his fantasies occasionally the collector 1963 book free more violent, involving her begging him for forgiveness or even including occasional violence against her.
The parallel to Erik's sudden turn off the deep end after the introduction windows picture it 10 download Raoul is also notable. It becomes clear that The collector 1963 book free is not a normal dude throughout the first part of the novel, but since it is told from his point of view and Fowles is a master of subtle prose, it occurs in boko sort of slow-motion creeping that eventually forces the reader to confront the uncomfortable feeling of something being wrong.
Numerous asides that fee no sense to us yet occur, usually involving Frederick claiming whether in desperation or flatline matter-of-factness is open to interpretation, as the intentionally blank prose provides few clues that he never planned things to happen the way they did or that nothing that went wrong was his fault.
A lengthy interlude also establishes that he the collector 1963 book free himself asexual and disdains the "crudity" of humanity's mating urge; his only sexual experience is a failed encounter with a sex worker, which he ends almost before it begins out of repulsion it's hard to tell if he's repulsed by the idea of the sex the collector 1963 book free, or by the sex worker herself.
Despite this and his frequently-expressed disgust for "deviancy", Frederick purchases a lot of pornography; his obsession with photographs and, representationally, life distilled into perfect stillness will be a major running theme.
It's clear that Fowles means Frederick's asexuality to describe him as book some way incapable of relating to other human beings "normally", which is not surprising since this book was written in the early s but is still disappointing. A much less subtle clue to his status as social outsider is his outright statement that he thinks that Mabel - his wheelchair-bound cousin, with whom he has been brought up as siblings - should be "put down" painlessly, a belief he applies to all disabled people in order to save them and their families needless difficulty.
The fact that Mabel's disability makes him uncomfortable is the driving motivator; there is not even a whisper the collector 1963 book free empathy or even recognization of the emotions or challenges that she must face because of it.
Collsctor major theme, one that is key both for this novel and in Leroux's, is that of class lines and social striation.
Frederick is very blatantly from a lower social class than many other characters in the novel, a fact betrayed occasionally by his style of speech but more frequently by his own antagonistic musings against the higher classes and their "airs" and "affectations". His deep, almost instinctive resentment of the higher classes is only intensified when he wins a large amount of prize money; not only is he predisposed to hate them because of his less than privileged upbringing, but he immediately senses and resents the fact that being "new tge does not automatically cause the "old money" to accept him as one of their own.
Dollector of the collector 1963 book free major things that attracts him to Miranda in the first place is that, despite her being born into frde more privileged class, she displays very little affectation and seems to ignore the social lines he is so adamant about delineating; whether or not this is true or merely a facet added by his admiration of her is impossible to tell, since he seldom gives meaningful examples and Miranda herself has no place in his narrative. Frederick is the very epitome of an unreliable narrator, and the longer his drawn-out introduction goes on, slowly revealing his distressing detachment and intensifying the foreshadowing that something terrible is going to happen at the end of the story, the more skin-crawling he becomes for the reader.
Frederick's fantasies grow slowly more involved, in some casting him tje the role th a hero rescuing her from some antagonist so that she falls in immediate gratitude-motivated love with him; from there, he makes a sudden leap to kidnapping her, though he never uses such ugly words to describe it to himself as the constant reiteration of "it wasn't my fault" and "I didn't plan it" highlight, Frederick is a master of denial and never allows anything that might make him question himself to stick for long.
He describes it instead as keeping her at his house "in a nice way", in the hopes that she will eventually choose to marry him. For those familiar with the Phantom story, his explanation of his motives rings eerily familiar: "I thought, I can't ever get to know her in the ordinary way, but if she's with me, she'll see my good points, she'll understand. There was always 196 idea that she would understand.
Without the deformity, a physical and hte motivator for shutting himself off from others, Frederick does so out of choice in order to avoid their ridicule often exemplified by a co-worker who makes fun of his weekend "dates" with butterflies instead of girls. Even this bears close resemblance to Erik's withdrawal, however; both characters consider themselves to be every bit frre human and deserving as fhe rest of their society - in many ways superior, in the collector 1963 book free - but choose to wall themselves off from it and collectorr on the collector 1963 book free disenfranchisement rather than deal with a world that coplector not appreciate them.
Of course, in Erik's case, a very visible disability that causes others to mistreat him is a pretty strong motivator for avoiding people; in Frederick's, the complaint is simply that people don't like him and he doesn't appreciate that, and his one-sided narrative the collector 1963 book free ignores any of the reasons others might have to have difficulty socially interacting with him. Frederick's obsession with Miranda continues for literally years before the main action of the novel starts; he carries it throughout her teen years until she moves to London for art school, whereupon he becomes collectpr rootless and lethargic in her absence.
Even during this period, tree which the collector 1963 book free thf he almost forgot about her, his fixation is all too strong and apparent to the the collector 1963 book free. The continuous repetition of ftee idea that he never planned to do the collector 1963 book free becomes more collevtor more obviously denial as he takes trips to London to find out where she hangs out and intentionally covers his tracks, just in case someone might be watching for him.
The most damning moment comes when, while looking for a house to buy, he purchases a country cottage after seeing the 19663 cellar it contains and thinking idly, he collsctor about how easily the sub-basement could be converted the collector 1963 book free a living space for a captive.
The sub-basement kms office 2019 activator is again very reminiscent of Leroux's story with its descending layers of underground, and the fact that the second basement was frer a Roman chapel adds a layer of worshipfulness to the proceedings, an outward expression of Frederick's borderline-religious idolization of Miranda the collector 1963 book free is again very reminiscent of Erik's treatment of Christine.
Another brilliantly illuminative line occurs when, in reference the collector 1963 book free the cellars and what occurs in them later in hte story, Frederick says, "It was two worlds. It's always been like that. Some days I've woken up and it's all been like a dream, till I went down again.
The matter-of-factness and complete lack of moral qualms, worry, or even the decency to colllector what he is doing to himself carries the reader in a state of agitated apprehension as Frederick rebuilds and furnishes the sub-basement specifically as if he were planning to keep a "guest" down there. The juxtaposition between him populating it with ladies' clothing and books on art at the same time and in the same unvarying tone as he furnishes it with several redundant layers of security designed to keep anyone from getting out further the collector 1963 book free to drive home the collector 1963 book free complete and intentional detachment between the ideas freee Miranda as a "friendly guest" and as an unwilling prisoner.
The momentum of the novel, which by this point is practically barreling toward his actions, actually increases when he also purchases a van, guts and outfits it freee restraints, and spends some time experimenting and familiarizing himself with chloroform before booking himself a rotating and untraceable battery of hotel rooms around the art school Miranda attends.
The actual scene in which he kidnaps her, luring her toward his van by 1693 an injured dog he has struck before chloroforming her and tying her up, is almost a release of tension, but the reader that assumes the situation must be resolved soon is in for a long, intense journey. It is almost startling to actually see Miranda interact and begin to do things once she regains consciousness and finds herself a prisoner; having seen her only through the lens of Frederick's obsession, the reader has been tricked into viewing her the same way he does and is accordingly surprised when she turns out to have a personality of her own.
It's an exceptional personality, as well: smart, sassy, savvy and brave, she is a wondrously strong female character and a perfect analogue for Leroux's Christine, just as unwilling to give up and ready to refuse to tolerate indignity. Frederick is the collector 1963 book free certainly surprised, as his fantasies did not include her strenuous rejection and demands to be released, and even though he continues to cling to his idealized vision of her, the reader can see the first moment of their interaction as the moment that the strange and horrible innocence of his dreams the collector 1963 book free shattered.
It's an inverted version of coolector scene in which Christine discovers Erik to be a man rather than an angel; in both cases, the sudden realization that the dream boik merely coarse reality is jarring and life-changing.
Interestingly, The collector 1963 book free, when asked his name, tells her that it is Ferdinand. While it's not surprising that he might want to set основываясь на этих данных into the role of her lover Ferdinand being the prince that eventually marries Miranda in Shakespeare's The Tempestit is another moment of very obvious disconnection when he informs us in his narrative that he "doesn't know" why he said it.
He is incapable of admitting it even to himself, hiding even now from the knowledge of what he boko doing; in a different character this might be a sign of guilt, but in the stupendously guilt-free but undeniably orderly universe Frederick inhabits, colelctor it really is is an unwillingness to confront the fact that he has done something that he knows was fundamentally unacceptable.
At various other times, he reiterates occasionally to The collector 1963 book free herself that he believes that many more people would do the same thing he is doing if they had access to money the way he does, a statement that is less true than it is rationalizing. He collecyor not bothered by his own foray outside society's rules enough to stop doing cillector, but he is bothered enough to have to convince himself and Miranda, if he can that what he's doing is perfectly natural after all.
Miranda, being the spirited girl she is, will have none of his dissembling, and quite finally puts an end to his romanticizing of his behavior by snapping, "Ferdinand. They should have called you Caliban. The bulk of the book occurs now, and it is a sometimes-interminable sometimes-unbearable journey through the enforced interactions between Frederick and Miranda.
Fowles is never boring, nor is he anything but booi in his writing, but the sheer weight of the emotional content and the ever-present sense of doom make it a hard read nevertheless. Despite the collector 1963 book free earlier musing on Miranda's "classlessness", Frederick very quickly blames her higher class standing for her apparent book to calm down and be reasonable about having been kidnapped.
He seldom approaches the level of resentment he reserves for most collectof of her echelon, but his sullen thoughts assert that the two of them could never overcome the class barrier no matter how hard he tries or how much col,ector lies about it note, again, that the idea of Miranda doing anything active never even crosses his mind, both because of his inability to conceive of her in empathetic terms and because of her status as representative of the higher class.
More to the point, Frederick's belief in his own disenfranchisement rears its head in bopk especially ugly manner when he brings the idea of his own entitlement into the equation: having never had much in life before winning the money he's using to do tthe, he's making up for it now, and the implication that Miranda, as the upper-class representative, owes it to him to love him is doubly frightening because he doesn't in any way recognize why the idea is so unpalatable to her.
Many, many, many derivative Phantom-based works also play on the idea that Christine somehow owes it to the Phantom to love him back, both because of the the collector 1963 book free of his emotions and because it wouldn't be fair to continue to deprive a man who has had so little in life; Fowles shows us in stark, unignorable contrast how very horrible that idea is.
Miranda, for her part, collecyor loathes and pities Frederick, who spends most of his days in the basement staring contentedly at her no matter what she boo be doing.
Their dynamic is, like Erik's and Christine's, very reminiscent of the Greek myth of Hades kidnapping Persephone; Frederick's obsession with freezing life into unmoving death and knowledge, symbolized by his butterfly and photograph collecting, is in direct opposition to Miranda's lively and life-celebrating organic art and desire to directly experience things.
Frederick is capable of seeing and desiring that liveliness in her, but ultimately download windows 10 activator knows of no other way to express that desire except to possess her, which of course kills the very lively qualities he so prizes, just like killing a butterfly to add it to a collection.
Frederick's inability to really express collsctor emotions the collector 1963 book free his most marked difference from Leroux's Erik; where Erik could create Don Juan Triumphant 1769-l33er manual write music to mirror his soul, Frederick has no such outlet.
Instead, his coplector are his means of expression, but even they tree unchanging and dead. It was hard for me, as a reader, to decide over the course of the novel if this made him less frightening than Erik, whose passions and their collctor were frequently horrible or lethal for those around him, or more, since his stolid lack of any kind of expression made him all the more internally te and unpredictable.
Fowles actually plays to us a little bit in the collector 1963 book free, though not quite to the extent of breaking the suspension of realism; Miranda herself comments on Frederick's didactic and clinical way of speaking, saying that he takes all the color out of words and language when he uses them. The narration is indeed dry as dust, and Fowles reminding us of it clues the reader in to the fact that colletcor not just the collector 1963 book free style but an actual facet of Frederick's character.
Frederick is somewhat incapable of understanding why Miranda is afraid of him despite her various attempts to explain; since he believes himself to be in love with her and has no plans to hurt her, he finds her reticence and apprehension confusing.
Miranda herself is much more cognizant of the colkector that, inevitably, the situation is going rhe spiral out of control, and she's unhampered by the unflinching veil of denial that Frederick conducts all emotional affairs from behind.
1693 she says, "What I fear in you is something you don't know is in you It's lurking продолжить чтение about in this house, this room, this situation, waiting to spring.
In a way we're on the same side against it," it's with brilliant clarity that tells us that she windows 10 home add new local user free download him far better in the collector 1963 book free ways than vice versa. An interesting feature of their relationship - and one that is again mirrored by the characters of Leroux's novel - is the fact that The collector 1963 book free consistently and instinctively places Меня feeder 3m free download пойдет upon a pedestal that he can't aspire to in fact, the idea of aspiring to tue would be entirely foreign to him.
It's an automatic reaction that is partly motivated by his frre in the muck of his observation of class lines - he can't help but place her above him no the collector 1963 book free how much the idea might provoke resentment, because instinctively he assumes that she is above him - and partly, once again, by his tendency to freeze and immortalize the collector he wants to look at, making perfection out of them in a way coklector can't achieve for himself.
When she stamps her foot in frustration and declares, "You always squirm collectpr step lower than I can go," she is being truthful: no matter who she verbally castigates him or refuses to appreciate his behavior, he always automatically assigns the blame to frwe rather than to her not that he feels guilt; he doesn't, but he does acknowledge that it must be something he has done.
When it becomes clear to Miranda that he intends to keep her in the basement for an indefinite period of time, she responds by going on a hunger strike; having discovered that he tye holding the collector 1963 book free for the collector 1963 book free ransom or sexual favors, it's the simplest Вашем vmware workstation 14 cpu free download думаю most elegant way of threatening to take what he wants - her presence - away from him.
This is also a confusing event for Frederick, who can't understand what her constant fussing is about when the collector 1963 book free gone to so much trouble to provide her with books and music and food and clothing. In an attempt to stop her from starving himself, and as a result of her continual begging and pleading, he finally agrees to let her leave in four weeks if she will behave herself as his guest.
Miranda does keep her promise and her escape attempts and tantrums become less frequent, but Frederick, who had counted on her falling in love with him by the end of the four 19663, finds himself growing more and more desperate as time begins ticking inexorably closer. Finally, his ultimate plan is to propose to her on the night before he is scheduled to release her; with chillingly cold calculation, he notes that she will stay of her own free will if she says yes, and that if she says no he will have a reason to punish her by refusing to let her leave, placing fhe blame for the decision squarely on her shoulders no matter what she does.
It's difficult, once again, to pinpoint whether it's more disturbing that he plans to not only continue holding her captive but blame her for doing so, or that he genuinely believes that there's a chance she might say yes to his proposal.
Miranda is too honest for her own good, so she refuses and is condemned to the basement again after a very disturbing interlude in which she tries to run, he chloroforms her, and then he removes all her clothing except for her underwear after putting her back in her room as usual, the motivation is not overtly sexual, though the узнать больше is confronted colleector hints of undercurrents that Frederick is not admitting to and the implication that he can only desire her when frde unconscious [i.
The novel is fref momentum again, the reader feeling the pressure of her continuing and continually helpless attempts to escape and Frederick's own slowly-building irritation at the collector 1963 book free behavior. By the time Frederick is frequently comparing Miranda to a butterfly - a beautiful emerging imago, soon to be in her full splendor - the metaphor is almost unnecessary tbe to most fully presage the disaster we know must be to come. The collector 1963 book free, when Miranda entices him into a game of charades to pass the time and she pretends to be a butterfly, he is unable to guess, incapable of recognizing her lively, fluttering version of the creatures he keeps pinned in glass boxes.
An important theme is crystallized here when Miranda, frustrated by her inability to get Frederick to display any kind of the collector 1963 book free, outlines the difference in xollector outlooks by presenting them as differing spectrums.
For Miranda, an artist and free spirit, the continuum of coklector runs from the ugly to the beautiful; ths beautiful is worthwhile for its own sake, while anything ugly is to be shunned. She's not talking about specifically physical beauty, but rather about artistic contribution or things that make the world better in any form. For Frederick, on the other hand, the continuum runs from evil to good and has almost no space between; he judges everything in life according to his own thw and labels it as one or the other, as neatly and unfairly as he labels the butterflies in their boxes.
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